Yet cinema at its best has always offered a lens to confront, process and perhaps even find meaning in the chaos. This list ...

For one thing, the juror’s car is a midsize SUV from Grisham’s mid-1990s heyday, not a fortress (the 2024 Toyota 4Runner is ...

All three of these features were shot by prolific Dutch cinematographer Jasper Wolf, who has worked with other Dutch auteurs ...

Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it ...

It’s been a busy year for Kamal Aljafari. One of the most innovative voices working in contemporary found footage cinema, the ...

Morrison spoke with Filmmaker at this year’s EnergaCAMERIMAGE, where The Fire Inside screened in competition. The movie opens ...

At the end of each year comes the excitement of listing my favorite released films. This is a moment where I like to reflect ...

As the Terrifier series has continued to grow in popularity—the third entry has made $90 million so far on a $2 million ...

That scroll follows a template set by the opening credits of the film, carefully designed—down to the minutiae of the font—by ...

Citing the more than $100 million global gross of Longlegs, a NEON-produced wide-release serial-killer movie, as some kind of ...

This year was a peak travel year for me, mostly festival-enabled, and I was pleased by the number of good films I was ...

For production designer Judy Becker, The Brutalist was a “dream come true,” not only requiring her to revisit the mid-century ...