Jonathan Glazer has made a hollow, self-aggrandizing art-film exercise set in Auschwitz during the Holocaust. By Manohla Dargis When you purchase a ticket for an independently reviewed film through ...
The Zone of Interest begins on a lovely afternoon somewhere in the Polish countryside. A husband and wife are enjoying a picnic on the banks of a river with their five children; they eat lunch and ...
A singular affront, in ways more conventionally wrenching movie treatments of the Holocaust such as “Schindler’s List” never were, “The Zone of Interest” withholds as much as it reveals, reorienting ...
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