Bluebeard, from 1977, is a test of loyalty for even the most ardent Bausch fan. A response to Bartok’s opera about a serial wife-murderer and his last victim, it has none of the humour, nostalgia or ...

Performances in N.Y.C. Advertisement Supported by Bausch’s pivotal 1977 work “Bluebeard,” with its relentless gender battles and powerful drama, returns to the stage after a long gap. By Roslyn Sulcas ...

It was not without trepidation in 1984 that I first met Pina Bausch, the revolutionary German choreographer who died unexpectedly Monday at 68. Her Wuppertal Tanztheater was about to make its U.S.

In a castle whose floor is littered with dead leaves, a man compulsively plays a tape recorder. Surrounded by figures that haunt him, he listens, rewinds and listens again to the music of Bluebeard. A ...

This article was originally on a blog post platform and may be missing photos, graphics or links. See About archive blog posts. It was not without trepidation in 1984 that I first met Pina Bausch, the ...

She overcame childhood polio to become a dancer with American Ballet Theater, then taught contemporary dancers and members of Pina Bausch’s acclaimed company. By Claudia Bauer In a Dance Reflections ...