The opera's opening performance was less than 24 hours away, yet the cast sometimes hesitated with lines and fumbled stage directions. "You guys have done a crazy amount of work. It's super-impressive ...
A determined singing voice echoed through the halls of the Frank D. Yuengling Mansion in Pottsville on Thursday afternoon. Jenny Wirth, Pottsville, was testing her vocal chords under the direction of ...
Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Inspired by Elizabethan drama, this new opera considers what space, if any, ...
Opera is a spectacle that can be glorious and delightful or a painful bore depending on how you approach it and how much background you have to appreciate it. Larry Mantle talks with opera and music ...
Things really haven't changed much for music teachers during the past 300 years. Kids still cut up in class. Notes are sometimes difficult to learn. And performing music is always worthwhile — for ...
Does Sarasota Opera artistic director Victor DeRenzi agree with the prevailing notion that La Boheme is the perfect opera for a beginner to attend? “When I’m asked that question, I usually check first ...
CEDAR RAPIDS — Before beginning a vocal lesson with students at Washington High School, visiting teacher and professional opera singer Dorian McCall has them start with abdominal exercises. Lenora ...
LONDON — Depending on whom you ask, director Katie Mitchell is either a guiding light or a destructive force of the British stage. Although she mostly works abroad now, her staging of the new opera ...
The myth that opera was born of a miracle dies hard. Musicologists no longer insist that what has proved to be a uniquely innovative art form for four centuries was the exclusive product of scholars ...
The title may separate its two concepts – Lessons in Love and Violence – but what we’re really unpicking here (what we’re always unpicking with these two authors) is the fleshy tangle of the two, the ...
"It's nothing to do with loving a man," government prosecutor Mortimer screams at King Edward II at the beginning of George Benjamin's third opera, "Lessons in Love and Violence." He pays heavily for ...
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