The one unmitigated good thing is the conductor, driving Britten's great score like a master and commander on his ship - indeed, like the Vere we should be seeing on stage. But the setting built by ...
Grandage avoids (or implies) the symbolic baggage carried by one of Britten's closest-to-the-bone operatic choices of subject, but since plenty of previous productions have dealt with that, I didn't ...
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